Back when my brother was in town, I took him to the Bowers Museum. We met the Queen of Kilimanjaro there. Who is she, you ask? Not a person. Oh no. The Queen of Kilimanjaro is much more entrancing and much less perplexing than any person. She is a tiara. A most beauteous tiara that was created by the magnificent artists of Silverhorn Jewelers in Santa Barbara: a white gold interlacing of diamonds and garnets, all of which serve as an accent to a motherload of blue tanzanite: 242 carats, to be exact. She is, by far, the most appealing display in the Gems! exhibit (as is often the case, the picture does not do it justice). When I first saw it, my jaw dropped and I said to my brother, “Well I don’t know who the fizuck the Queen of Kilimanjaro is, but I like the way she rolls.” (I’m very couth, I know.)
I had no idea that the Queen of Kilimanjaro was a nonentity, like my high school boyfriend or Dead Elvis. I imagined her to be some tribal woman living mountainside with her clan of the cave bear artisans and metallurgists, lavishly clad in expensive jewels while riding elephants. (In other news, I’ve just been asked to participate in a sociology study, “Idiots, and Their Misperceptions”).
Another piece, the decadently named “Ceylon Sinflower” was a gold flower pendant with a Ceylon centerpiece. The pendant was so heavy that they designed a gold flower stem to hook it onto once you were tired of it adorning your neck. This piece and its title depressed me, much like the man driving a Jaguar with a vanity plate that says “Poverty” (I’m not even making that up). For that matter, the entire Gems! exhibit can only be beautiful and exciting if you push to the back of your mind the concerns of where these beautiful stones are coming from. Also, you should ignore the entire “jewel art” section which attempts to follow the tradition set by Faberge of using jewels to create art, only instead of eggs, these people were decorating animal statues. There was a mouse on ice skates. If it weren’t for the jeweled eyes, I probably would have assumed it came from the dollar store, because I’m familiar with cheap animal statues. When I was a kid, my mom always came home with presents from her students at Christmastime–excuse me, Winter Holiday–and every year we were guaranteed at least one animal statue, usually of birds. Teachers = Bird Statues? I don’t get it. Too bad she’s not a teacher anymore, because my understanding now is that the popular gifts are candles and bath stuff, and man, do I stink.
But back to the museum.
Also on display at the Bowers was an Egyptian mummy exhibit, part of the collection from the British Museum. I was excited to see this. I love Egyptian history – I’ve seen Aida AND Cleopatra (please note previously referenced sociology study).
While I enjoyed the mummy exhibit and found it informative and interesting, I also found it to be a bit, um, intrusive. Like I was that irritating person who always slows down to look at a car accident. I know everybody loves the mummy talk and oh, look at how much we learn by studying them, but that does not deny the fact that we are essentially studying and admiring the work of grave robbers, ie desecrators.
Did you ever witness your friends get into a screaming match with their parents when you were younger, or watch your friends get into a fight with their significant other right in front of you? It has happened a handful of times in my life, and I can’t stand it, the feeling that I am witnessing something I shouldn’t. That was the feeling that sank into me while I was walking around the mummy exhibit, looking at CAT scans of mummies and emptied coffins and the mummy of a child, feeling like I had defiled their graves myself. Feeling like we had stopped viewing them as people and simply as things.
Leaving the museum, I drove through downtown Santa Ana. There are many a pretty historic buildings there, and I wanted to show them to my brother. I learned recently that Santa Ana is going through a gentrification. I learned about it from a guy I met who was an interior decorator and longtime Santa Ana resident. He had decorated some of the new homes being sold to up the ante in the city. The new homes will ideally increase the value of the other places, the rents will go up everywhere, and eventually, a “better” class of people will live there. I asked what happens to the people currently living in Santa Ana, who won’t be able to afford the new prices. He shrugged. “I don’t know.”
And here I was worrying about our treatment of mummies.